Jessie Reyez brings her A Little Vengeance Tour to Toronto on November 24, closing a 13-date North American run at Coca-Cola Coliseum. The hometown finale caps the biggest headline tour of her career and puts a Toronto artist in a Toronto arena to finish the story.
The Live Nation promoted trek starts November 3 at WAMU Theater in Seattle. From there it moves down the West Coast, across the southern United States, and up the East Coast before it lands at home. For Reyez, who was born in Toronto and raised in Brampton, the routing matters. She is not adding Toronto as one more market on a list. She is saving the last night for the city that raised her voice in the first place.
A Bigger Room For A Personal Album
A Little Vengeance is Reyez and her fourth studio album, released in June through FMLY and Island Records. The project explores heartbreak, relationships, self-reflection and moving forward, and it does that work without smoothing out the rough edges that have always made her writing connect. The album features Ty Dolla $ign, Muni Long, D Smoke, Lekan and RAAHiiM, along with a Bob Marley sample, a guest list that shows how wide her world has become while the songs stay personal.
Two tracks help explain the range. Reporting on the album highlights “99%” as one of its defining songs and “Ain’t U Tired,” her duet with Muni Long, as a meeting of two distinctive vocalists. Other cuts lean into a more exposed side of her writing, while sharper records carry the direct, rap-sung delivery Reyez uses when she wants a line to land hard. That movement, from a near whisper to a full room vocal, is her strongest live weapon, and this album gives her a set built for exactly that kind of movement.
The album also followed her 2025 project Paid in Memories and its sold out headline world tour. In other words, this is not a comeback run and it is not a first step up. It is the next step after a sold out tour, into larger venues, with a new album that was designed to hold those rooms.
New Music Keeps The Run Moving
Reyez has kept new music coming while the tour approaches. On October 16 she released “MADE 4 THIS,” a new single issued through FMLY under exclusive license to Island Records and produced by Grades. Listen to it here, in the article, not just as a mention:
Reviewers who covered the single heard a record built from frustration and resolve. The song deals directly with the sacrifices behind success, the cost of a relationship that did not work, and the losses that come with choosing a career at this level. The point is not that the pain disappears. The point is that Reyez names it and keeps moving, turning a hard stretch into fuel for the next record. That honesty is the thread that connects the single to the album as a whole.
A week earlier, on October 9, she also teamed with Samara Cyn on “For Sixxx In The Mornin,” a collaboration that mixes pop and R and B with melodic rap and splits the work evenly between the two artists. Put the two releases side by side and the picture is clear. In a single October stretch, Reyez gave fans a playful collaboration and a serious solo statement, then pointed both of them toward the biggest tour dates of her career.
The Full Route To Toronto
Here is the complete routing for the A Little Vengeance Tour, so Toronto fans can see exactly where the finale sits in the run. November 3 in Seattle at WAMU Theater. November 5 in Sacramento at Channel 24. November 6 in Oakland at Fox Theater. November 8 in San Diego at Cal Coast Credit Union Open Air Theatre. November 9 in Los Angeles at Kia Forum. November 10 in Phoenix at Arizona Financial Theatre. November 12 in Houston at 713 Music Hall. November 13 in Dallas at South Side Ballroom. November 16 in Chicago at Aragon Ballroom. November 18 in Washington, D.C. at EchoStage. November 19 in Brooklyn at Barclays Center. November 22 in Boston at MGM Music Hall at Fenway. And November 24 in Toronto at Coca-Cola Coliseum.
Two venues underline the scale. Kia Forum in Los Angeles and Barclays Center in Brooklyn are major arena stages, not theatre stops. Closing after those rooms, in Toronto, is a deliberate choice. It gives the tour a narrative arc that most routings do not have, and it gives hometown fans the final version of the show, after three weeks of performances have sharpened every part of it.
A Hometown Year, From World Cup To SOCAN
The Toronto finale also lands at the end of a year that has repeatedly put Reyez on major stages in her own city. On June 12, the day A Little Vengeance was released and the day she celebrated her birthday, she performed in Toronto during the FIFA World Cup 2026 Opening Ceremony alongside Palestinian singer-songwriter Elyanna. The pair performed their collaborative anthem “Illuminate,” a single from the Official FIFA World Cup 2026 Album produced by Cirkut, placing Reyez on one of the largest international stages of the year at home. She also recently connected with Toronto producer Boi-1da on “I Dare You (Tasty),” another release tied to the broader musical celebration around Canada and the tournament.
Before the tour even starts, she has one more Toronto honour coming. On October 26 at REBEL in Toronto, SOCAN will present Reyez with its International Achievement Award at the 2026 SOCAN Awards. SOCAN notes she is a Grammy nominated, multiple Juno winning artist with more than 4 billion streams globally, and with collaborations that include Dua Lipa, Beyonce and Eminem.
“Every year, the SOCAN Awards shine a light on the songwriters, composers and music publishers who define and elevate Canadian music.” – Jennifer Brown, SOCAN CEO
That context matters for the tour. The award recognizes representing Canada on the global stage, and the November routing is that idea in practice, a Canadian artist headlining major rooms across North America and bringing the final date home.
Music With A Fund Behind It
There is also a community component built directly into the tour. A portion of proceeds will support the Jessie Reyez Fund, launched with nonprofit partner PLUS1. The fund is intended to expand opportunities for women and historically underrepresented communities in music, and to support music based programs focused on education, wellbeing, cultural connection and preservation in underserved communities. Early work tied to her partnerships has already included a collaboration with Nando’s that resulted in 500 donated meals.
That structure changes what a ticket means. Fans in Toronto are still buying a night of music first, and the show has to deliver on that promise. But part of the money from the run is directed toward opening doors for other artists and communities, which fits the way Reyez has built her career, direct about her own story and clear about using a bigger platform for more than herself.
Tickets for the tour are on sale through Live Nation and Ticketmaster, after presales began August 25 and the general on sale started August 28 at 10 a.m. local time. For Toronto, the practical details are simple. The date is Tuesday, November 24, the venue is Coca-Cola Coliseum, and it is the last show of the tour. If you want to hear A Little Vengeance, “MADE 4 THIS,” and the songs that built her catalogue in the room where this run ends, that is the night to be there.
